Symphobia 2 is the acclaimed sequel to the original Symphobia.
#How do you key switch cinematic strings 2 series
This example also shows it is not needed to map or assign outgoing notes in the script for key-switching, everything can be done using CCs here.If absolutely nothing in it stirs you, it might be advisable to consider an alternative career in accountancy.ĭiscover the fully updated 1.6 Editions of the orchestral library series that forever changed the film scoring game: The Symphobia Series. tremolo, tremolo legato and tremolo measured (locked to tempo). Note that it's no problem to switch between sustain, legato and advanced legato, or e.g.
#How do you key switch cinematic strings 2 manual
Since its so easy and quick in Studio One 4.5.1 to switch views and have all keys-witches clearly laid-out and accessible in the drum editor, I'm hardly using Cubase these days for new projects.įor anyone interested in more details, below are the pitchlist "drum map" and KSP commands used in the video example.Ĭinematic Strings default CC 58 is used for articulation switching (see CSS manual for details). In practice, after some getting used to, there's hardly any need to apply a negative delay. I usually use keypads assigned to notes C-2 and onwards. When setting quantize to say 1/16 in the drum editor, it is rather easy to place key-switches just ahead of "normal" note events. F-1 > Kontakt > KSP note mapping to CCs > CSS instrument. I used Cinematic Studio Strings, 1st Violins with all articulations (18 excl.
Here's a short video showing key-switching in action using the drum editor in Studio One. Here's a drum map/pitch list for Cinematic Studio Solo Strings, as an example. (warning it creates a lot of macros in the macro organizer, but they're labeled with library name to make them easier to find and sort/delete if necessary) It's got some 8dio, Spitfire, CSS, Hanz Zimmer Strings, etc. This is the macro page for a few strings libraries that i finished. Ive tested and it works on multiple notes at a time since its just a macro saying to
If you dont like it, just erase the keyswitch and choose a different articulation. you select the note and then choose the articulation from the pull down menu. For the macro, the macros are put into groups based on the library with a pull down menu like how Art Conductor works for Logic. Either way its just a lot of manual labor in labeling things to match the library. It's possible to do both drum map and macros. Once you get the hang of it, using Kontakt scripts for the mapping part is hardly more difficult then when using expression maps in Cubase Alternatively, you could skip CCs and use the default note-based key switches that come with the library, but these often start at C0 and offer less options. So, for example you select a violins-legato articulation on C-2, the Kontakt script then maps this to CCx for the desired articulation and CCy for legato (using e.g.
An overview of your key-switches is only one mouse or key click away. In Kontakt, you can assign multiple CC's to single notes and this gives you pretty much the same behavior as when using Cubase expression maps. But a simple note-to-CC script either globally or on instrument level handles that. Over here, most of the key-switching is done using CCs in Kontakt. I'm normally using C-2 and onward: these appear then always at the top in the drum editor. While there is no expression *mapping* functionality per sé as of yet in S1, one can easily assign keys-witches and name them. However, the drum editor provides a pretty good alternative.īecause of the brilliant way Studio One incorporates the drum editor in conjunction with easy to create pitch-lists, articulation switching is arguably even simpler and more fun then in Cubase!
Yes, it was disappointing to see 4.5 didn't add this much requested feature.